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the electric kitchen sink

this blog reports my findings around the art formaly known as new media
Wordle: kiilo.org blog electric kitchen sink
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Published by kiilo on Fri 08 of Oct., 2010
from: http://www.bureauforopenculture.org/content.html(external link)

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The New Administration of a Fine Arts Education is a conversation series with leading individuals in contemporary art, culture and education who engage in multiple and overlapping artistic and pedagogic practices. Their exhibitions, actions, writing and artworks are at times seamless integrations of cultural production, lifestyle, studio and teaching. Some of them operate from inside or in coordination with art education institutions, challenging tradition from within. Others combine education and creative economic strategies to sustain practices in the realm of contemporary art and beyond and to realize new institutions. In all cases they are dismantling, intentionally or not, rigid definitions of what it means to be an artist, curator and educator today.

see more ...(external link)
Published by kiilo on Sun 03 of Oct., 2010
from: http://dmlcentral.net/conference2011(external link)

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The Digital Media and Learning Conference is an annual event supported by the MacArthur? Foundation and organized by the Digital Media and Learning Research Hub at University of California, Irvine. The conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialog and linking theory, empirical study, policy, and practice.

The second conference will be held between March 3-5, 2011 at the Hilton Long Beach Conference and Meeting Center in Long Beach, California. The theme will be "Designing Learning Futures”. The Conference Chair will be Katie Salen. The conference committee includes Kimberly Austin, danah boyd, Sheryl Grant, Mark Surman, Trebor Scholz and S. Craig Watkins. Keynote presentations will be given by Alice Taylor and Muki Hansteen-Izora?. Our plenary session panelists will include François Bar, Mizuko Ito, Tara Lemmey and David Washington. The plenary session will be focused upon the theme of "Transformative Play" and will explore the following questions: What core socio-technical practices are shaping (or have the potential to shape) the communities, institutions, and connected ecologies in which we learn? In particular, how might we consider the varied dimensions of digital media in relation to hacking, modding, and user innovation? We will also have a book exhibit and technology demos.
Published by kiilo on Thu 30 of Sep., 2010
from http://pluto.kuri.mu/2010/09/29/plutonian-striptease-v-geert-lovink(external link)

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astounding stories of super science: monsters of moyen

Plutonian Striptease is a series of interviews with with experts, owners, users, fans and haters of social media, to map the different views on this topic, outside the existing discussions surrounding privacy.

Geert Lovink, founding director of the Institute of Network Cultures, is a Dutch-Australian? media theorist and critic. He holds a PhD from the University of Melbourne and in 2003 was at the Centre for Critical and Cultural Studies, University of Queensland. In 2004 Lovink was appointed as Research Professor at the Hogeschool van Amsterdam and Associate Professor at University of Amsterdam. He is the founder of Internet projects such as nettime and fibreculture. His recent book titles are Dark Fiber (2002), Uncanny Networks (2002) and My First Recession (2003). In 2005-06 he was a fellow at the WissenschaftskollegBerlin? Institute for Advanced Study where he finished his third volume on critical Internet culture, Zero Comments (2007).

10 print "intresting"
20 GOTO http://pluto.kuri.mu/2010/09/29/plutonian-striptease-v-geert-lovink(external link)

Published by kiilo on Sun 26 of Sep., 2010
The tokyo hackerspace made a very nice video tour through te secrets of akihabara electronic city in tokyo - if your planning to go to tokyo - or not aftwer this video tour yoou want:

Akihabara Station is located in Tokyo's Chiyoda ward and was opened in November 1890. Akihabara "Field of Autumn Leaves", also known as Akihabara Electric Town is a major shopping area for electronic, computer, anime, and otaku goods, including new and used items.

10 print "amazing! ";
20 GOTO http://www.tokyohackerspace.org/akihabara/(external link)

:o)
Published by kiilo on Sun 26 of Sep., 2010
A few days ago we wrote on our website “We are cooking something new for you”.
Well, dinner is ready…

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Saturday 25 September represents the beginning of a new era for Arduino.
During Maker Faire NYC we’re going to unveil to the world a lot of changes happening to the Arduino Project.

goto http://arduino.cc(external link)
Published by kiilo on Sat 25 of Sep., 2010
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Casey Reas
Chandler McWilliams?
LUST

Once the exclusive domain of programmers, code is now being used by a new generation of designers, artists, and architects eager to explore how software can enable innovative ways of generating form and translating ideas. Form+Code in Design, Art, and Architecture offers an in-depth look at the use of software in a wide range of creative disciplines. This visually stimulating survey introduces readers to over 250 signi?cant works and undertakings of the past 60 years in the ?elds of ?ne and applied art, architecture, industrial design, digital fabrication, visual cinema, photography, typography, interactive media, gaming, arti?cial intelligence (AI), arti?cial life (a-life), and graphic design, including data mapping and visualizations, and all forms of new media and expression.

Princeton Architectural Press
ISBN 9781568989372
7 x 8.5 inches (17.8 x 21.6 cm)
Paperback, 176 pages

-> http://formandcode.com(external link)
Published by kiilo on Fri 24 of Sep., 2010
Experiments in Art and Technology (E.A.T.) was a non-profit and tax-exempt organization established to develop collaborations between artists and engineers. The group operated by facilitating person-to-person contacts between artists and engineers, rather than defining a formal process for cooperation. (..) It was officially launched in 1967 by the engineers Billy Klüver and Fred Waldhauer and the artists Robert Rauschenberg and Robert Whitman. (..) The performances were held in New York City's 69th Regiment Armory, on Lexington Avenue between 25th and 26th Streets as an homage to the original and historical 1913 Armory show.23 Such collaborations continued to break down barriers between the arts and scientists in the 60’s, 70’s, and 80’s, and indirectly launched and supported the experimental sound artist John Cage, dancer Merce Cunningham, and pop artist Andy Warhol.

Flash player not available.


http://en.wikipedia.org/wiki/Experiments_in_Art_and_Technology(external link)
Published by kiilo on Mon 20 of Sep., 2010
here a small test posting

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Published by kiilo on Tue 09 of June, 2009
from: http://networkcultures.org/wpmu/weblog/2009/05/28/transatlantic/(external link)
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Media Theory on the Move: Transatlantic Perspectives on Media and Mediation

A Conference Report by Inge Ploum


On May 21 2009, 15 media theorists and philosophers from Germany, Hungary, the United States and Canada gathered in Potsdam’s Am Neuen Palais (Germany) for an international conference on different perspectives, approaches and traditions in media theory. Media Theory on the Move was organized by Dieter Mersch, chairman of Media Studies at the University of Potsdam, his colleagues at EMW (Europäische Medienwissenschaft Department of the University of Potsdam), and four esteemed MA students, sponsored the Fritz Thyssen Stiftung für Wissenschaftförderung.

For three days (program), a divers array of media scientists, theorists and philosophers had the pleasure of discussing their perspectives on media and mediation. Though the presentation titles ranged widely, from Joachim Paech’s ‘Popular Fiction, Popular Art and New Media: On the Way to Medienwissenschaft in 1970’s Germany’ to Peter Bexte’s ‘Prepositions and Things: Some Reflections on Relations’, the theme of movement continued to be the Ariadne’s thread throughout the conference. The constant motion of space and time surrounding our media landscape, coupled with our movements of thought on understanding media (ourselves and the world), turned out to be a challenging theme for discussion. It generated a heterogeneous debate including topics on the movements of interactivity, images, things, the symbolic, communication, time and contingency. In a challenging exploration of the problems floating through transatlantic media theory, philosophy and practice, ‘Media Theory on the Move’ prompted a creative and critical space-time to further develop discussions on the movement of movement.

more ...(external link)


Published by kiilo on Tue 09 of June, 2009
from: http://www.nettime.org/Lists-Archives/nettime-l-0905/threads.html(external link)
(Besser dort nachlesen)


sehr interessante Diskussion als Nachlese des Symposiums "position in flux":


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